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whats love got to do with it show in nyc

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1993 picture show past Brian Gibson

What'south Dearest Got to Do with It
Whats love got to do with it poster.jpg

Theatrical release poster
Directed past Brian Gibson
Screenplay by Kate Lanier
Based on I, Tina
by Tina Turner
Kurt Loder
Produced past
  • Doug Chapin
  • Barry Krost
Starring
  • Angela Bassett
  • Laurence Fishburne
Cinematography Jamie Anderson
Edited by Stuart Pappé
Music by Stanley Clarke

Production
company

Touchstone Pictures
Distributed by Buena Vista Pictures

Release dates
  • June half dozen, 1993 (1993-06-06) (Los Angeles)
  • June 25, 1993 (1993-06-25) (United States)

Running time

 118 minutes
Country U.s.
Language English
Upkeep $fifteen million[i]
Box office $61 million[2]

What'south Honey Got to Do with Information technology is a 1993 American biographical motion-picture show based on the life of American-built-in Swiss singer Tina Turner. It was directed by Brian Gibson and written by Kate Lanier. The picture show stars Angela Bassett as Tina Turner and Laurence Fishburne every bit her married man Ike Turner.

Adapted from Tina Turner's autobiography I, Tina (1986), the film follows her life from a rural upbringing to her rise to distinction, along with her calumniating wedlock to Ike Turner.

What's Beloved Got to Practice with It premiered in Los Angeles on June 6, 1993, and was theatrically released by Touchstone Pictures on June 25, 1993. Although Tina Turner and Ike Turner were not happy with the accuracy of the film, it was a critical and commercial success. It grossed $61 one thousand thousand on a $15 million budget. For their performances, Bassett and Fishburne received nominations at the 66th Academy Awards for Best Extra and All-time Actor. Bassett also won the Golden Globe Accolade for Best Actress – Motion Picture Comedy or Musical.

Plot [edit]

Raised in Nutbush, Tennessee, Anna Mae Bullock grows up in an unhappy family with her parents leaving and abandoning her at a young historic period.

Following her grandmother's death, Anna Mae relocates to St. Louis, reuniting with her female parent and older sister Alline. Anna Mae pursues a adventure to be a professional singer, after seeing charismatic bandleader Ike Turner perform one night. Afterwards, she wins her spot in Turner's band after singing onstage, and he begins mentoring her. In time, an unexpected romance develops betwixt the two, after she moves into Ike'due south home. Before long afterwards, they marry and begin having musical success together as Ike & Tina Turner.

The marriage quickly turns tearing when Ike starts physically dominating Tina, leaving her no risk to escape. In public, Tina rises from a local St. Louis phenomenon into an international R&B star, with Ike growing increasingly jealous of the attending given to her. Ike turns to drugs every bit his beliefs worsens while Tina finds solace in Buddhism by chanting Nam Myoho Renge Kyo. Tina grows increasingly confident and in a final fight with Ike, she finally musters the courage to defend herself; somewhen she leaves Ike afterward they make it at a hotel.

Winning the correct to retain her stage proper noun afterward their divorce, Tina continues working to pay bills. She gets a break after meeting Roger Davies, who somewhen helps her realize her dreams of rock stardom. Despite Ike'due south attempts to win her back, Tina prevails and finds solo success, accomplishing her dreams without Ike. The pic concludes with existent life concert footage of Tina in the 1980s.

Bandage [edit]

  • Angela Bassett as Tina Turner, born Anna Mae Bullock
    • Rae'Ven Larrymore Kelly every bit young Anna Mae
  • Cora Lee Twenty-four hour period as Grandma Georgiana
  • Khandi Alexander as Darlene
  • Laurence Fishburne as Ike Turner
  • Jenifer Lewis as Zelma Bullock, Tina's mother
  • Phyllis Yvonne Stickney as Alline Bullock
  • Penny Johnson Jerald every bit Lorraine Taylor
  • Vanessa Bell Calloway as Jackie
  • Chi McBride every bit Fross
  • Sherman Augustus equally Reggie
  • Terrence Riggins as Spider
  • Bo Kane equally Dance Show Host
  • Terrence Evans as Double-decker Driver
  • Rob LaBelle every bit Phil Spector
  • James Reyne as Roger Davies
  • Richard T. Jones equally Ike Turner Jr.
  • Shavar Ross as Michael Turner
  • Damon Hines every bit Ronnie Turner
  • Suli McCullough equally Craig Turner
  • Elijah B. Saleem as teenage Ike Turner Jr.

Production [edit]

Angela Bassett was nominated for an University Award for her portrayal of Tina Turner.

Halle Berry, Robin Givens, Pam Grier, Whitney Houston, Janet Jackson, and Vanessa L. Williams were all considered for the part of Tina Turner.[three] Whitney Houston was actually offered the role, but had to decline due to imminent maternity. Jenifer Lewis also originally auditioned to play Tina Turner simply was cast instead equally Tina'due south mother despite existence only a yr older than Bassett.[4]

Angela Bassett auditioned for the role in October 1992 and was chosen just a month before product began in December. During that time she had to acquire non just how to talk similar Turner but to dance and movement like her. She would have been willing to endeavor to do the singing equally well, simply ''not in the fourth dimension we had,'' she said. ''I did think about it for a 2d, though.'' Instead, she lip syncs to soundtracks recorded past Tina Turner and Fishburne. Bassett worked with Tina Turner, but only ''a little bit.'' Turner helped most with the re-creations of her famed dance routines.[5] She also re-recorded new versions of all the Ike & Tina Turner songs used in the film.[6]

Laurence Fishburne was offered the role of Ike Turner 5 times and turned it downwardly each fourth dimension.[3] [7] "Information technology was pretty i-sided," said Fishburne, who turned downwards the projection based on the script he get-go read. Ike, Fishburne added, was "obviously the villain of the piece, but there was no caption as to why he behaved the style he behaved - why she was with him for xvi to 20 years, what fabricated her stay."[5] The writers fabricated some changes and though Ike is still shown as a pretty despicable sort, the film offers at least some insight into him - most notably a scene in which Ike recalls watching, at age six, his begetter's death from wounds suffered in a fight over a woman. The changes helped persuade Fishburne to practice the role, but he says that Bassett's casting as Tina "was the deciding factor."[5] [7]

Fishburne did non have Ike Turner around to help model his operation as much as he would take liked. He met him one time during production of the pic. "He was not peculiarly welcome on this project," Fishburne says.[3] The thespian'southward simply meeting was a cursory introduction when Ike showed upward at the Turners' one-time home in View Park during a location shoot. Ike signed some autographs and showed Fishburne his walk. "It was nice to come across him," says Fishburne. "Regardless of his actions, he was so much a part of Tina's life. The motion picture is about him only as much as her. It's unfortunate that he wasn't welcomed, that both of them weren't around more than."[iii] Director Brian Gibson had no contact with Ike. "I never spoke to him," says Gibson. "I was not allowed to. Disney felt that it would not be a good thought."[iii]

Screenwriter Kate Lanier omitted much of the brutality Tina Turner said she endured in her book.[8] Her grapheme was also sanitized; most notably, her relationship with saxophonist Raymond Hill and the birth of their son was excluded from the picture show.[ix] Lanier admitted that Tina Turner was non happy with sure aspects of the movie because some parts were fictionalized.[8] Tina Turner tried to talk to the Disney filmmakers about the script. In 1993, she told Vanity Fair that they saw "a deep need" to make a pic nigh "a woman who was a victim to a con man. How weak! How shallow! How dare you think that was what I was? I was in control every minute there. I was there because I wanted to exist, considering I had promised." She added, "O.K. so if I was a victim, fine. Perhaps I was a victim for a short while. But give me credit for thinking the whole fourth dimension I was there. Encounter, I do have pride."[10]

Inaccuracies [edit]

Although the motion picture was adjusted from Tina Turner's autobiography I, Tina, many elements were "fictionalized for dramatic purposes."[3]

  • Ike did not sing or play guitar on the record "Rocket 88" every bit depicted in the flick. He wrote the vocal and played piano on the record. His saxophonist Jackie Brenston was the vocalist. The record was released under the allonym Jackie Brenston and his Delta Cats who were really Ike'south ring the Kings of Rhythm.[eleven]
  • The vocal Anna Mae first performs onstage with Ike, "You Know I Love Y'all", was really a slower B.B. King blues ballad; Ike played piano on King's tape.[12] When Anna Mae sang the vocal, Ike played the organ, not the guitar as depicted in the flick.[9] Tina recorded a blues rock rendition of the song for the film's soundtrack.
  • Anna Mae and Ike did not have sex the night his live-in girlfriend Lorraine Taylor shot herself as depicted. In reality, when Anna Mae was pregnant in 1958, Lorraine pulled a gun on her earlier shooting herself because she believed that Anna Mae and Ike were having an affair. However, Anna Mae and Ike were platonic friends until 1960 when she went to sleep in his bed later a musician threatened to come into her room.[13]
  • The first song Anna Mae is portrayed recording, "Tina'due south Wish", is really a 1973 rail titled "Brand Me Over" from the album Nutbush Metropolis Limits. In reality, the first vocal she recorded is "Boxtop" in 1958.[14]
  • A theater marquee is shown for a 1960 show starring Otis Redding, Martha and the Vandellas, and Ike & Tina Turner. In reality, Martha and the Vandellas were known as The Del-Phis until 1961, and Otis Redding didn't release his starting time solo single until 1962.[15]
  • In the flick, Anna Mae learns of her name change to Tina Turner afterwards her vocal is played on a radio in the infirmary where she had given birth. In reality, Ike & Tina Turner's debut single "A Fool In Love" was released in August 1960, months before she gave nascency to their son.[xvi]
  • In existent life, Ike didn't call her Anna Mae, he called her either Ann or "Bo" (curt for her surname Bullock).[17] Fifty-fifty after she received the stage name Tina Turner, family and friends still called her Ann.[18]
  • The film implies that Tina's eldest child, Craig Raymond (born Raymond Craig in 1958), is Ike'southward biological son. In reality, his biological father was saxophonist Raymond Loma and Ike later adopted him. Tina and Ike accept i biological child, Ronald "Ronnie" Renelle, built-in in 1960.[19]
  • The picture depicts Ike and his entourage sneaking Tina out of the hospital afterward she gave birth to go married. In reality, Ike was not nowadays for the nascency of their son Ronnie. Tina wrote in her book that a few days after she checked herself out of the hospital, she discovered that the woman Ike hired to replace her while she recuperated was a prostitute using her phase name Tina Turner to get clients.[twenty] She confronted the adult female and after they got into a fight, Tina performed a prove that night.[21] Ike wrote in his book Takin' Back My Proper name that he was unaware the woman was a prostitute. He was out of town to attend a court hearing in St. Louis when Tina gave birth in Los Angeles.[17] They married in 1962, two years after the birth of their son.[17] [9]
  • Lorraine Taylor, the female parent of Ike's sons Ike Junior and Michael, did not driblet them off at his domicile with Tina as depicted in the film. In reality, Ike went to St. Louis and brought his sons to Los Angeles later on Lorraine informed him she was going to go out them at that place. Tina also brought her son Craig to alive with them.[17]
  • In a scene dated 1968, Ike and Tina open for The Rolling Stones performing "Proud Mary." In reality, Ike and Tina didn't perform "Proud Mary" until after it was released past Creedence Clearwater Revival in 1969. The Rolling Stones didn't take any concerts in 1968; Ike and Tina opened for them on their 1966 British Tour and 1969 American Tour.[22]
  • Jackie and Frost are both fictional characters. Jackie represents an amalgamation of Ikettes and associates of Tina, one of which was Ike's friend Valerie Bishop who introduced Tina to Buddhism in 1973.[9]
  • The infamous "swallow the cake Anna Mae" scene was an exaggerated reenactment of an incident that occurred during the early on years of the revue. Tina recalled that when they stopped to society food, someone brought her a pound cake while they were sitting in a auto. Although Tina said she didn't order it, Ike ordered her to consume all of it while he watched.[9]
  • The scene where Tina was raped during the recording of "Nutbush Urban center Limits " was exaggerated from what she stated in her book. Tina claimed that sometimes afterwards Ike would hit her, he and so would have sex with her.[ix] Ike maintained that he never raped Tina.[9] "Nutbush Metropolis Limits" was recorded at their Bolic Audio recording studio, not at abode as depicted in the film.
  • The movie depicts Tina's suicide attempt in 1974 when it actually occurred vi years prior in 1968.[23]
  • Ike did not tell Tina "if you don't make it, I'll kill you" as depicted in the ambulance scene. Tina stated in her book that afterward her suicide try she joked with a friend that she was so afraid of Ike, he probably threatened her which is why she survived. She was unconscious and didn't know what he actually said. Ike stated in his volume that he scolded Tina as his way of motivating her to fight for her life.[17]
  • During the time Tina is planning her improvement in the early on 1980s, a reenactment of an interview features Tina rehearsing her vocal "I Might Have Been Queen." The song would be recorded for her 1984 comeback anthology, Private Dancer.
  • The incident in the Ritz Theatre where Ike fails to scare Tina with his pistol is made. Allegedly, Ike fabricated threats to hire a hitman, so Tina carried a pistol, merely he did not threaten her in person with a gun every bit depicted.[24]
  • Before performing "What's Love Got to Do with Information technology " at the Ritz in 1983, the emcee announces that it was her "offset appearance," only she first performed there in 1981. Her 1983 performance there occurred earlier the recording of "What's Love Got to Do with It" and led to Capitol Records signing a contract with her.[nine]
  • A title card at the terminate states that Tina's first solo album won four Grammy Awards, implying it was Private Dancer. In reality that album was her fifth solo album. Her kickoff two solo albums (Tina Turns The Land On! and Acrid Queen) were released while she was even so with Ike, and two (Rough and Dearest Explosion) were released after.[25]

Reception [edit]

Disquisitional response [edit]

What's Love Got to Practise with It received critical acclamation.[26] [27] [28] On Rotten Tomatoes, it has a "Certified Fresh" approval rating of 97% based on 58 reviews. The site's consensus is: "With a fascinating real-life story and powerhouse performances from Angela Bassett and Laurence Fishburne, What'due south Dear Got to Practice with It is a can't miss biopic."[29] Audiences surveyed past CinemaScore gave the film a grade A on scale of A to F.[30]

Janet Maslin of The New York Times, wrote: "The bright, mercurial portrayal of Ike Turner past Laurence Fishburne, formerly known as Larry, is what elevates 'What'southward Love Got to Do With It' across the realm of run-of-the-mill biography."[31] Cistron Siskel of the Chicago Tribune gave it four out of four, calling it: "A powerful, joyful, raw, energetically acted bio-pic detailing the joys and pain of the on- and offstage lives of blues rockers Ike and Tina Turner."[32]

Ike Turner said that the picture show and Tina Turner'south book are "filled with lies".[33] [34] In his autobiography, Takin' Back My Name, he said Fishburne did "a fantastic task, though the job he did isn't actually me".[17] He was especially upset about the fabricated rape scene, which he said "was the everyman matter they could have ever done". He added that the film damaged his reputation.[17] At Turner's funeral, Phil Spector criticized the motion picture and Tina's volume as a "piece of trash" which "demonized and vilified Ike".[35]

Tina Turner stated she wished the picture had more truth to it and she was non proud that the motion picture had her existence portrayed equally a "victim".[ten] In 2018, Turner told Oprah Winfrey that she had but recently watched the picture show. She said, "I watched a niggling flake of information technology, but I didn't finish it because that was not how things went. Oprah, I didn't realize they would alter the details so much."[36]

Box office [edit]

The film grossed $40.1 1000000 in the U.s.a. and Canada and $xx.v million internationally for a worldwide total of $60.6 1000000.[ii]

Accolades [edit]

American Film Found [edit]

The film is recognized by American Picture Found in these lists:

  • 2004: AFI'south 100 Years...100 Songs:
    • "What'due south Dear Got to Practise with It" – Nominated[43]
  • 2006: AFI's 100 Years...100 Cheers – #85[44]

Superlative lists [edit]

  • Ranked #ane on Favorite Movie of the Twelvemonth in 1994 by Ebony Readers' Poll[45]
  • Ranked #2 on Pinnacle nine Subjects of a Music Bio-Motion-picture show by Entertainment Weekly[46]
  • Ranked #8 on Elevation ten Best Rock Biopics by Rolling Rock Readers' Poll[47]
  • Ranked #9 on The Best Blackness Movies of the Concluding 30 Years Past Circuitous[48]

Soundtrack [edit]

References [edit]

  1. ^ "What's Dearest Got to Do With It (1993) - Financial Information". The Numbers.
  2. ^ a b "Peak 100 grossers worldwide, '93-94". Multifariousness. October 17, 1994. p. Chiliad-56.
  3. ^ a b c d e f Walker, Michael (May 16, 1993). "Summertime SNEAKS : Tina Turner'southward Story Through a Disney Prism : The vocalist'south motion-picture show biography, 'What's Love Got to Exercise With It,' focuses on her turbulent relationship with her mentor and ex-hubby Ike Turner every bit well as her triumphant improvement - Los Angeles Times". Los Angeles Times. ISSN 0458-3035. Retrieved 2013-10-06 .
  4. ^ Alexander, Keith L. (2017-11-24). "How 'Blackish' star Jenifer Lewis became 'the mother of black Hollywood'". Washington Mail service. ISSN 0190-8286. Retrieved 2021-07-27 .
  5. ^ a b c "How Laurence And Angela Became Ike And Tina". tribunedigital-orlandosentinel . Retrieved 2017-ten-24 .
  6. ^ What'south Honey Got to Do With It - Tina Turner | Songs, Reviews, Credits | AllMusic , retrieved 2021-07-26
  7. ^ a b Jung, Due east. Alex (nineteen August 2020). "Laurence Fishburne Knows Who He Is". Vulture. Well, I turned the movie down five times. The reason I said yep finally was because Angie was going to play the office.
  8. ^ a b Collier, Aldore (July 1993). "'What's Love Git To Do With It': Larry Fishburne and Angela Bassett portray Ike and Tina Turner In New Motion-picture show". Ebony. 48 (9): 110–112.
  9. ^ a b c d eastward f m h Turner, Tina. (1986). I, Tina. Loder, Kurt. (1st ed.). New York: Morrow. ISBN0688060897. OCLC 13069211.
  10. ^ a b Orth, Maureen (May 1993). "Tina Turner – The Lady Has Legs!". Vanity Fair.
  11. ^ Cawthorne & Turner, p. 46. sfn mistake: no target: CITEREFCawthorneTurner (aid)
  12. ^ McGee, David (2005). B.B. Rex: There is E'er I More Time. Hal Leonard Corporation. p. 86. ISBN978-0-87930-843-8.
  13. ^ Turner & Loder, p. 59. sfn error: no target: CITEREFTurnerLoder (help)
  14. ^ Turner & Loder, p. 57. sfn error: no target: CITEREFTurnerLoder (assist)
  15. ^ "Six definitive songs: The ultimate beginner'due south guide to Otis Redding". Retrieved 2021-07-26 .
  16. ^ Turner & Loder, p. 64. sfn error: no target: CITEREFTurnerLoder (help)
  17. ^ a b c d east f g Turner, Ike. (1999). Takin' Dorsum My Name: The Confessions of Ike Turner. Cawthorne, Nigel, 1951-. London: Virgin. ISBN1852278501. OCLC 43321298.
  18. ^ Greensmith, Bill (2015). Blues Unlimited: Essential Interviews from the Original Blues Magazine. Russell, Tony, Camarigg, Marking, Rowe, Mike. University of Illinois Printing. pp. 247–248. ISBN9780252097508.
  19. ^ Turner & Loder, p. 69. sfn fault: no target: CITEREFTurnerLoder (help)
  20. ^ Bego, Marking (1998). Tina Turner: Break Every Rule. p. 67. ISBN9781589792531 . Retrieved November xviii, 2018.
  21. ^ Turner & Loder, p. 70. sfn mistake: no target: CITEREFTurnerLoder (aid)
  22. ^ Cawthorne & Turner, p. 115. sfn error: no target: CITEREFCawthorneTurner (assistance)
  23. ^ Turner & Loder, p. 115. sfn error: no target: CITEREFTurnerLoder (help)
  24. ^ Turner & Loder, p. 162. sfn fault: no target: CITEREFTurnerLoder (help)
  25. ^ "Tina Turner | Album Discography". AllMusic . Retrieved 2021-07-26 .
  26. ^ "Tina turns tumultuous life into 'Beloved'". Baltimore Sun. 1993-06-xviii. Retrieved 2013-10-05 .
  27. ^ Turan, Kenneth (1993-06-09). "Movie REVIEW : 'Love': Playing It Nice and Crude : Exceptional Acting Powers Story of Up and Downs of Ike and Tina Turner". Los Angeles Times . Retrieved 2013-10-05 .
  28. ^ Rickey, Carrie (1994-03-24). "For Popular Queen Tina Turner, Life Was Never, Ever Nice And Easy". Philly.com. Retrieved 2013-10-05 . [ dead link ]
  29. ^ "What'due south Love Got To Do With It? (1993)". Rotten Tomatoes . Retrieved May 11, 2021.
  30. ^ "WHAT'S LOVE GOT TO Practice WITH IT (1993) A". CinemaScore. Archived from the original on 2018-12-xx.
  31. ^ Maslin, Janet (9 June 1993). "Review/Picture show: What'south Love Got to Do With It; Tina Turner's Tale: Living Life With Ike and then Without Him". The New York Times.
  32. ^ Siskel, Factor (June xi, 1993). "TINA TURNER STORY TUNES IN TO THE RHYTHMS OF REAL LIFE". chicagotribune.com.
  33. ^ Philips, Chuck (1993-06-24). "Q&A WITH IKE TURNER : 'I Was the One Who Turned Her Into Tina Turner'". Los Angeles Times . Retrieved 2013-x-05 .
  34. ^ "Ike Turner Says Movie Is False, Denies Beating Ex-Married woman Tina Turner". Jet: 14. July xix, 1993.
  35. ^ "Phil Spector criticises Tina Turner at Ike Turner'due south funeral". NME.com News . Retrieved Dec 24, 2015.
  36. ^ "Tina Turner Talks To Oprah About Keeping Her Spirits Up After a Stroke and Losing Her Son". Oprah magazine. 2018-x-03. Retrieved 2018-12-twenty .
  37. ^ "The 66th Academy Awards (1994) Nominees and Winners". Academy of Motion Picture show Arts and Sciences. AMPAS. Archived from the original on July 6, 2011. Retrieved Oct 22, 2011.
  38. ^ "Nominees/Winners". Casting Society of America. Retrieved July 9, 2019.
  39. ^ Seymour, Factor (1995-12-22). "Angela Bassett: Grounded--and Soaring as an Extra : After Vampires, Foreign Days, the Film Star Can 'Exhale'". The Los Angeles Times . Retrieved 2010-12-22 .
  40. ^ "Winners & Nominees: What's Love Got to Practise with It". HFPA . Retrieved 28 March 2021.
  41. ^ LEONARDI, MARISA (1994-01-07). "Michael Jackson Shares Whitney Houston's Spotlight : Honors: Houston wins 5 NAACP Paradigm Awards, but Jackson gets cheers in a show marked past controversy". Los Angeles Times. ISSN 0458-3035. Retrieved 2016-01-22 .
  42. ^ "15th Annual Youth In Film Awards". YoungArtistAwards.org. Archived from the original on 2011-03-04. Retrieved 2011-03-31 .
  43. ^ "AFI's 100 Years...100 Songs Nominees" (PDF) . Retrieved 2016-08-14 .
  44. ^ "AFI's 100 Years...100 Cheers" (PDF). American Motion-picture show Institute. Retrieved 2016-08-fourteen .
  45. ^ "EBONY Readers Poll Stop Of Year". Johnson Publishing Company. 12 September 1994. Retrieved March 31, 2018.
  46. ^ "Tiptop nine Subjects of a Music Bio-Pic". Amusement Weekly . Retrieved 2018-03-twenty .
  47. ^ "Elevation x Best Stone Biopics". Rolling Stone Readers' Poll. Retrieved 2018-03-20 .
  48. ^ "The Best Black Movies of the Last 30 Years". Complex . Retrieved 2018-03-31 .

Bibliography [edit]

  • Cawthorne, Nigel; Turner, Ike (1999). Takin' Back My Name: The Confessions of Ike Turner. Virgin Books. ISBN9781852278502.
  • Turner, Tina; Loder, Kurt (1986). I, Tina: My Life Story. William Morrow & Co. ISBN978-0-68805-949-1.

Notes [edit]

  1. ^ Tied with Otis Sallid for Swing Kids.

External links [edit]

  • What's Dear Got to Exercise with It at IMDb
  • What'south Love Got to Do with Information technology at AllMovie
  • What's Love Got to Do with It at Rotten Tomatoes
  • What's Love Got to Do with It at Box Office Mojo

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Source: https://en.wikipedia.org/wiki/What%27s_Love_Got_to_Do_with_It_%28film%29

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