Mamia Here We Go Again Reviews
Back in 2008, Mamma Mia! hit screens and absorbed jaded hearts everywhere. Opening slap blindside in the eye of the Euros, girls, gays, their friends and their friends' mums (everyone's mum) escaped the football madness and turned the lightweight musical into a smash, making a whopping $466 million at the box office and going on to get the fastest-selling DVD e'er.
With stats like that, you would have expected greedy film producers to be rubbing their hands together and demanding a sequel straight away. But even they knew that didn't seem right.
When it was announced that Mamma Mia! Here Nosotros Go Again (an inspired title, we'll give it that) was in the works, many fans were divided. Did we need more of the ridiculous sunshine-soaked fantasy lives of hotel possessor Donna, her ageing babydaddies and broad-eyed daughter Sophie? Or should Mamma Mia remain a glorious and magical i-off? Hadn't they used the best of the best of ABBA already?
Ten years later, Mamma Mia 2 is finally hither, and although it's unlikely to win over anyone who didn't love the original, fans should be pleased... for the virtually part.
Meryl Streep, Christine Baranski, Pierce Brosnan, Julie Walters, Dominic Cooper, Amanda Seyfried and Stellan Skarsgard return to the island of Kalokairi, bringing pop superstar Cher along for the ride as Donna'southward mum Ruby.
Five years on from where the last moving picture left off, Sophie (Seyfried) is busy putting the finishing touches to the grand reopening party for the newly renovated hotel that Donna in one case owned. Yes, while Streep is notwithstanding on the cast, Donna is no longer with usa (RIP), but that's non a spoiler, as we find out pretty much as shortly equally the film starts and is the plot betoken upon which the film pretty much hangs.
Equally Sophie reminisces with Sam (Brosnan), one of her three dads, nigh her mum, nosotros are transported back in time via a series of colourful flashbacks to run across just how Donna (played by the brilliant Lily James) became the, er, Muggy Megan we loved in the first movie.
The old cast are on top form (though please never let tone-deaf Cooper well-nigh a microphone again), while the actors playing the younger versions of our favourite characters are a joy. James, as Donna, is effortlessly likeable every bit she – to use an disgusting cliché – lights up the screen with her gorgeous face, lush, gratuitous-flowing locks and impressive vocals, while W1A'due south Hugh Skinner is hilariously goofy equally young Harry. Jeremy Irvine (Sam) and Josh Dylan (Pecker) are the delish guy candy with tantalisingly exposed torsos, while Alexa Davies and Jessica Keenan Wynn are suitably hilarious as young Rosie and Tanya.
Like its predecessor, MM2 adopts a shamelessly panto tone, where slapstick and overacting are the default settings. It's almost as if the more sophisticated big-screen musicals La La Country and The Greatest Showman had never happened. Simply in some means, information technology doesn't thing that Mamma Mia! doesn't attempt to exist anything more than than mindless fluff. That was always its charm – it was never going to win an Oscar. And then for those expecting more of the same, you will non exist disappointed. Well, not besides much, anyway.
The plot is basic, familiar and lightweight enough to hang the timeless ABBA songs off. But that's where we stumble beyond our first problem. The songs but aren't equally practiced every bit the ones in the first film, because they already used all the best ones.
The first large number is the little-known 'When I Kissed the Instructor'. It's an exuberant melody and lively ready piece for certain, but an uninspiring option for the vocal that is supposed to suck us into the narrative. Elsewhere, young Donna and young Bill belt out the tuneless 'Why Did Information technology Have to Be Me?', which has to exist one of the worst ABBA songs we've e'er heard. This utterly forgettable album track from their debut Arrival only goes to bear witness that not all that ABBA produced was bright.
Perhaps unexpectedly, the plot is a fleck more sombre this time effectually. Non only is Sophie mourning the decease of her mother and at odds with her boyfriend Sky (Cooper), who is planning to accept a job in New York, there is a tempest that wreaks havoc across the island and destroys all of Sophie's hard work.
But the subsequently stages bring a sudden shift in tone every bit the campiness we'd been hoping for finally arrives. And it's all cheers to the arrival of the majestic diva that is Cher. Equally Sophie's party gets under style, a helicopter swoops toward the island and deposits Ruby Sheridan, Donna'south Vegas showgirl mum, slap bang in the middle of the action.
Information technology's a moment of pure camp delight equally a dazzling Cher, bathed in what appears to be a miraculous contraction-bashing light (and a dose of CGI, we suspect), strolls out of the shadows and gain to spit out a disappointingly limited corporeality of sassy i-liners earlier launching into a delicious rendition of 'Fernando'.
It is in these afterwards scenes that the film finally finds itself back on track and feels for the first fourth dimension like erstwhile Mamma Mia! again. Even the incredibly tender christening scene soundtracked by the exquisite and heartwrenching rails 'My Dearest, My Life' feels oh and so correct, probably considering it features Meryl Streep (SPOILER) in a tear-inducing cameo.
But these afterwards scenes oddly feel like they've been hurriedly tacked on to the cease of a slightly different film and aren't – damn information technology – long plenty for fans to enjoy, and so the pacing of the moving picture occasionally gets bogged down and throws usa out of our ABBA enjoyment.
But wait... Mayhap we're thinking too hard most this.
Mamma Mia 2 basically does what it sets out to do. Aye, the songs might non be equally adept every bit terminal time round, or the tone non as positive, merely information technology even so fills the most jaded center with joy and that is, in this day and age, a miracle.
So all in all, Mamma Mia two is an unashamed cheesy sensation that will please the fans just will never win over the doubters. But then once more, it was never for them in the first place.
Mamma Mia!: Hither Nosotros Get Over again volition be released in The states and UK cinemas on July twenty. Volume tickets hither.
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